Circumstantial words, or
coal in reverse – carbonizing back to plantlife –
keep it in the ground, it will form a circle.
A circumstance of stances not taken yet;
dances still flirting in dis-repose/
I said – to me, you are the alwaysman,
You said I cannot remember the shape of your hand, or
why you think mine should fit in yours

Heavy metals, though, they need supernovae to form/
We can manage it –
large hadron collider and such,
but the time
it will take
to match gravity
pales
in comparison
to your memory/
My circumstance;
atomic structure;
quizzical destiny looking itself up in the dictionary;
situational comedy;
resonance;
and circumstance

like two timelines clinking champagne glasses –
a salute to our cellular happenstance
and the fate-magma bubbling inside
(i told you i don’t believe in fate – you said,
yes,
but i do)

 

lastdayofMay

the golden concoction of feelings on the water;
the seven pm Spring light:
I am that and
I am that too –
the willful ignorant rage of the shadows creeping

something about a day beginning or
something about a day ending or
can I manufacture something like emotion
something like Love –
can I turn it on;
off;
inside out
like a weapon

Can I graze it against my face;
a finality; a river
Escalations of bone; I am broth; I am hunter
you press me; flower ribcage into your book –
a field guide gatherer, a fumbled heart forager;
a finder of lost lingerings
I, a postcard,
I, a lock of hair still
attached
to the
head
Is it a lock then – or a key – or a strand?

Romantic love – I’ll just say it’s something I haven’t grown out of –
that’s what I’ll say;

I’ll pull my teeth out of your whiskers;
I’ll come back up for air
gasping
clutching my clavicle
for something
to ground me
to root me
a stray hair out of place
a stray root
still rooted
in these silly ideals
I should have given up 10 years ago

I’ll tell you I’ve grown past them –
mossy edged and weed ridden, I’ll tell
you I’m a woman now; I’m a realist now;
this isn’t my first rodeo,
and about 10 other cliches that roll off the tongue
that roll through my body
like a fire
like a flood
I’ll tell you it’s ok,
it’s just a Saturday afternoon; just a little prayer to the moon;
I’ll tell you I’m a big girl now
firm handed, strong-fisted
a real realist radiating with reason
I’ll sit in the stars and suck on the methane of the sun,
I’ll tell you I’m just a girl,
But by now I can’t believe you haven’t noticed
I’m hot breath and oxygen – supernova imagination,
Wildfire captivation, I am helium
I am exploding
(Your mouth just a catalyst)
(my heart just a chemical)

new meaningfuls

new meaningfuls will come. worry not,
they will come
the cardboard box in the garage
will not take it all –
new meaningfuls will come

angling high and wish-washed dry
the world will give you hands again –
offer you a petal – say cherish this one too

new river dreams will come –
new sandwiched toes between the mud
new hearts red-rich and filled with stories-old
will come;
will be made new again

new meaningfuls will come –
the past will not walk away
with everything –
you have more years to grasp; you have more years to grasp,

gather, gain, grimace and sing

did you not remember?

I can’t make it there by 7pm
I’m sorry, I simply cannot make it
did you not
remember by May 9th the moss his draped itself
over the swollen wooden staircase on the other side of the canal –
the sight is a devastation of beauty

the weeks have grown up over the river banks and musty shadows of the dust-flies
have kicked up a new light
and the pools of aqua-green chase my bike tires /
hungry-hued at golden hour

I cannot possibly miss this sunset / I cannot possibly miss this
please I cannot possibly miss this dusty emberglow
please do not ask me to /
Please do not ask me to

a poem regarding my anticipation of your coming comment upon my work

do I hide in my words /
do I rest on tropes /are the tropes that I rest on words that seem out of reach or splicing / do I splice myself?
Do I show enough of myself (a comment I was recently given by the aunt) (but what of that comment truly) / am I supposed to show more of myself in my work?
How about this true fear – that if I am to peel too deeply and critique my own process too profoundly that the process itself will walk away from me like an old lover I have only just begun to learn how to lie next to?

Do I feel comfortable with the process processing me – fear not of the ‘you’ processing me – but with my own capturing of the process in my own butterfly net /
is it ephemeral /
is it based on my own strange conscious concoction /
is that why I dropped out of poetry classes in college where I was going to have to stand up and read my work in front of the class / do I believe it is a strange shadow in the corner that comes right through me?
Do I believe that I write or that words just funnel / do I rest on tropes / can there be any tropes after all

This is not to say I feel uncomfortable about the coming words / this is to say – can I make your uncomfortable more comfortable by starting somewhere first / by saying what I think I run away from in my own words /

is it true that you have to pain your way through the process?

Is it organic – the process that I am?