Life is the courage to breathe which breeds the courage to feel which curls the fear of breathing to the burned ashes to the edges of visible sight ; of visible light
Loving hard as fuck you tell me ;
the edges of the big bang still visible on the horizon, like a capsized circimsition of the derision of the decision to exist here, now, in this crumbled architecture of a why
the underside of the backside of the backbone of visible light still virtual on the tip of my tongue, on the lip of my lungs
the hungry reminsence of my soul on my body
engender my body with gesture – with the movement to move, the courage to soothe, engesture my body with gender // with the firmament to fulfill a role already rolled out of the dice / wrap me up in the wrapture of my hormones; my genital fever ; my general fear of forgetting the way i am supposed to be presenting // present me : the present prescience of my perennial pubescence (the purpose of all that period blood) // hinder me, little wheel looking for a quixote – for the quixotic narcotic of hormone that makes my body moan ; twist ; contort ; retort and rotate and tolerate | so | much | bullshit — give it to me, girls parts ; tutu hearts – too, too heartfelt; too, too full of heart – you feel too much – you feel too much little girl — be like me little girl, stuff it. be like a man little girl, swallow it whole. devour feelings for lunch. let them fill you up with bone and anger and muscle and cartilage and ledges to lean over (not jumping, just leaning, just trust me — not jumping, just leaning; not learning, just pumping, just thumping – just trust me). let them fill you up – you’ll expand; balloon outwards; topple over yourself with musculature and strain; your chest will puff up – puffin-wide and proud – you’ll look remarkable – you’ll look large – you won’t have to feel it at all – you’ll look large – you won’t have to feel it at all – you won’t have to fear it at all – just fill yourself up with it. keep it safe in your intestinal tract. don’t trust anyone, little girl. all the men you see will have a lifetime of feelings bottled tight in their intestinal tract, don’t you see? stay smart. don’t wear your heart on your sleeve. that’s the smart way to do it – you’ll stay safe. you’ll keep everyone out. you’ll keep everyone out. you’ll keep everyone out.
isn’t that quaint – she isn’t afraid to feel. how adorable.
what a brave little fool.
warm cotton heart, tucked inside my chest – i feed it well, keep it fearless and folded/a turn style/a watering can. the light – a presence; a singing bell of summer starting to chime. the way the dashes and hyphens of the branches keep tapping morse code to me. calling me out, calling me out, get out of your skin. carry your fear to the center of the forest and leave it there. bury it well, in desert ash and worm soil. let it go, let it go. the weight of worry that hums with you on a tuesday afternoon. let it go, let it always go drifting into this bask of light. this swelter of sunlight leaves. this canopy of harmony and hallowed wind. sacred is the day/sacred too – my heart. our little hearts that light the way like fireflies come out to dance in the darkness. our little hearts that light the way.
follow them. let them go. let them be. let them sing. let them swarm into the light. moths we are, little winged ephemerals. little things we are, just bursts of light. little hearts aflame in the dark. lighting the way are we, always lighting the way are we. always fighting the fear are we, always fighting the fear.
and winning, we are.
do I hide in my words /
do I rest on tropes /are the tropes that I rest on words that seem out of reach or splicing / do I splice myself?
Do I show enough of myself (a comment I was recently given by the aunt) (but what of that comment truly) / am I supposed to show more of myself in my work?
How about this true fear – that if I am to peel too deeply and critique my own process too profoundly that the process itself will walk away from me like an old lover I have only just begun to learn how to lie next to?
Do I feel comfortable with the process processing me – fear not of the ‘you’ processing me – but with my own capturing of the process in my own butterfly net /
is it ephemeral /
is it based on my own strange conscious concoction /
is that why I dropped out of poetry classes in college where I was going to have to stand up and read my work in front of the class / do I believe it is a strange shadow in the corner that comes right through me?
Do I believe that I write or that words just funnel / do I rest on tropes / can there be any tropes after all
This is not to say I feel uncomfortable about the coming words / this is to say – can I make your uncomfortable more comfortable by starting somewhere first / by saying what I think I run away from in my own words /
is it true that you have to pain your way through the process?
Is it organic – the process that I am?