story/magic/world

am i not, to some degree, a summation of stories? a summation of the stories i tell myself? a summation of the stories you tell about me? the stories we create about ourselves and the way we retell them?


whisky water tinkle machine –
copious amounts of clarity and
dream-works weaving


i think about guilt, how to sit with it/where it should sit in me/if i should carry it and how/what it serves, who it belongs to


i think about gratitude. about the thrill of adventure, about the experience of new road under my feet – heralding me forward, wrapping me around a roller coaster, ejecting me across an architecture of metal at impossibly inhuman speeds. i think about wonder, about imagination. i kept thanking the world for making the imaginations around me in Orlando, the world-building, the dreamings. i thought about someone’s idea for a children’s book coming to physical life around them. a manifestation of imaginings in a young single-mom’s head. that thought felt so touching to me I thought I might cry. i thought about what this story she made had meant to so many people – the escapism and willingness to dream – what that had given so many people. the outlet to something magical and real all at the same time. such a cliche joy that place gave me. in the most wonderful way. i am okay with the unpretentious cliche sentimentality of it. i was okay with the fervor – with the unmistakable stench of merchandising and profiteering and cashing in. i allowed myself to not get angered about that. because there was also an unmistakable, overwhelming passion baked into the artistry, detail and rigor of the place. of genuine love and care. people that really cared about a story about magic really cared enough to imprint their own artistry on the creation of something to fulfill everyone else’s shared, collective imaginings about a story. and that felt meaningful. and there were traces of meaningful and traces of real artistry caked into the fake, warnerbrother walls. and so i was okay with the hocus pocus of it. i was okay with the falseness of it. because the meta-meta strangeness of creating such a place felt like such a beautiful human endeavor, on the core of it. and you could feel the honest love for story that was there. i have no patience for high-wire american capitalism sucking the soul out of something filled with soul. but this felt slightly opposite. it felt real – it felt doused in soul – it felt it had a heart still beating. and i was thankful to be a part of the whole creation. to give it my eyes. to have my own imaginings become part of the collective. baked on to all those walls. all the faithful, magic-believing eyes that come to fill it up – maybe that’s what i was feeling. all the collective love, all the collective imagination being projected onto the tapestries and painted lanterns. all the eyes that laid their own meaning on the fake siding and the poured-concrete. all the desperation that wanted it so badly to be real. all the wanting. all the traces of that wanting still stuck on the place. all of the ability of the mind to just push a little bit further forward, and fill in the dots. all the tricks and trades of our powerful minds. all the tricks of our senses. but no, it is not a trick – it is the power. the power of our senses. it is not a trick they are pulling on us, universal and warner brothers. it is the power of our own mental force that we are engaging. to engage in collective imagination together. to engage in collective play and belief in story. in magic. in life just that much more meaningful. it is the honoring of aesthetic and the power of sensory experience. it is a trick. and it is a willingness to let go of the nonsense of the falsities of the adult world. to find that other world. to create it together. to build towards newness. towards strangeness. towards exhilerating discovery of what is possible. it’s building a strange replica of an imaginary world that was dreamed up in a dreamer’s head. it’s a strange thing that humans did. it’s a homage to the power of aesthetic and the power of story and the power of creation. and it meant something to me because i am not afraid to say that things mean something to me. because i want things to mean something to me. and a thousand little and big eyes that all felt meaning inside of themselves pressed their eyeballs and hands onto fake stucco walls and made it meaningful. and the meaning lingers on the wall. builds like layers of paint. smothers plastics in real, human soul. and over time, begins to live. a collective organism of people’s love breathing and festering on something that capitalism tried to feed off. but we are feeding off of imagination, not merchandise. we are sucking on the marrow of something real, and the sideshow of price tags is just catching the lucky drippings off of something meaningful. something that the cynical, deflated people of this country and this post-post-modern world still find refuge in. story, magic, creation, imagination. something strange and free. fantastical and alive. because we want it to be. and that is our power. that we have not yet learned how to grasp. we have not yet acknowledged just how powerful and magical we all are. the power of our mental capacities.

and that is our power. that we have not yet learned how to grasp. we have not yet acknowledged just how powerful and magical we all are. the power of our mental force. of our creative consciousness. of our collective consciousness. of our belief, of our creative forces, of our imaginings, of our meaning making machines. imbuing things with meaning, and then they are meaningful. we are endlessly magical, if we learn to see ourselves through the right kind of eyes. get out of your head, get out of your silly head. look at yourself through the bottom of a glass bottom boat – through the lens of a thousand twirling macroscopes – we are a strange and magical creature. we have mind on our side and consciousness to discover. and all you want to do is worry about your taxes. and bitch about the tiny things. and never look at the strange, big picture. and weep at the beauty. and rapture yourself into wonder at the majesty of consciousness. what a strange world, what a strange world. what a magical world. fucking honor it. do it mother fucking justice – this thing, this thing of being a human being in this strange sensory body – what a mother fucking magic. what a mother fucking magic.

own it.

Advertisements

The autumn I learned how to paint, I was 17 and dazzled with discovery. I would thrill myself with the finality of the paintbrush – the still of the art room – the metallic stench of acrylics. I would rush home, dazed from hours of paint fumes and lay under the leaves, close my eyes and imagine painting the canopy above me. I was consumed to my bones with the delight of discovery. I could not get enough. I painted everything I could find. I knew I wasn’t a master – but I had an appetite. I had joy. I had a love affair with the discovery of a new art. I painted chairs, I painted pieces of wood I found. I delighted in watching colors talk to one another. Jangle next to each other, blend, mend, become one. Become something wholly new. Entropy. Ecstasy. I felt wild in my own skin.

Above all things, I wish for that – I wish for that for all people. The thrill of satisfaction. Discovery, joy, empowerment, creation, wonder, fascination, passion. An affair with creativity. With what you can create with your strange body and your magnificent mind and the things around you. That is wildly attractive to me.

And if I’m being completely honest, I’ve still got love stories stuck in my veins – like a chronic illness, I can’t seem to beat it.
I’ve gotten better at reclaiming my own life though. My own time. My own architecture. The rhythm of my story and the sound of my own narrative. My life as a creator, that will always fulfill me. Profoundly – if I am thrilled with discovery. More than any other type of classical “success” (which is all bullshit, honestly) – I seek only that lustful discovery. That lust for life. That thrill in discovery, in fulfillment, in creation. And a creative partner, then. Someone who sees, recognizes. Walks towards the strangeness with me with consciousness, wonder and a lust for life. And a sense of their own story. Of the beauty of a narrative unfolding. And the way two stories clink together like music.